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The concept of “inspiration” is just not new for Indian Cinema. Good narrative and perfect editing compensates for most from the difference. Selective Star cast with good acting skills behave as icing for the cake. Negative criticism is mainly is a result of wilting scripts with weak direction of the movie in conjunction with minimum or not-so-serious efforts. Sometimes, it's felt that movies were great when Indian film Industry what food was in nascent stage. Post-Independence movies had reflection of originality and Hindi literature as the issues raised were justified at that same moment prevailing sentiment of freedom. Then there have been serious issues regarding poverty, illiteracy, unity, non-violence, etc. that held importance and audience appeal. We witness dramatic differences when we compare these periods of Indian Cinema.

Story of Dostana: Sam (Abhishek Bachchan) and Kunal (John Abraham) are looking pro an public housing and since the landlord (Sushmita Mukherjee) hates giving the general public housing to guys lest they possibly will corrupt her niece Neha (Priyanka Chopra), the two pretend to be gays. Neha, Sam and Kunal turn into contacts and also the guys attempt to fall madly in love with Neha. But Neha has fallen pro Abhimanyu (Bobby Deol), the boss of her company. Whether both the guys go for love or friendship could be the nitty-gritty in the story.


This film is fundamentally dedicated with all the bible based story, with all the point of interest of upper engineering in extraordinary visual impacts to generate more fabulous vistas and more practical diseases. It attempted to infuse some exploratory rationale in the otherworldly occasions, particularly the Red Sea crossing. Nonetheless, the notion to viably transform blood into water was a level ahead of creativity and barbarism as well. Moses was lacking a staff that become a snake nor part the Red Sea.

As shown within the movie. . . Russell Crowe plays the role in the story's antagonist Javert, a police inspector specialized in enforcing the letter in the law and persecuting the protagonist Jean Valjean (played my Hugh Jackman). While Crowe comes with a impressive physical presence, he missed the objective for me. I wanted to trust him but didn't, he was far more concerned on “pretending to be Javert” Vs. “being Javert”. Crowe appeared being uncomfortable along with his character and disconnected from his audience.

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